Once Upon A Time by A. A. Milne
Once upon a time there were three little foxes
Who didnít wear stockings, and they didnít wear sockses,
But they all had handkerchiefs to blow their noses,
And they kept their handkerchiefs in cardboard boxes.
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The Diplomatic Platypus by Patrick Barrington
I had a duck-billed platypus when I was up at Trinity,
With whom I soon discovered a remarkable affinity.
He used to live in lodgings with myself and Arthur Purvis,
And we all went up together for the Diplomatic Service.
I had a certain confidence, I own, in his ability,
He mastered all the subjects with remarkable facility;
And Purvis, though more dubious, agreed that he was clever,
But no one else imagined he had any chance whatever.
I failed to pass the interview, the board with wry grimaces
Took exception to my boots and then objected to my braces,
And Purvis too was failed by an intolerant examiner
Who said he had his doubts as to his sock-suspender's stamina.
Our summary rejection, though we took it with urbanity
Was naturally wounding in some measure to our vanity;
The bitterness of failure was considerably mollified,
However, by the ease with which our platypus had qualified.
The wisdom of the choice, it soon appeared, was undeniable;
There never was a diplomat more thoroughly reliable.
He never made rash statements his enemies might hold him to,
He never stated anything, for no one ever told him to,
And soon he was appointed, so correct was his behaviour,
Our Minister (without Portfolio) to Trans-Moravia.
My friend was loved and honoured from the Andes to Esthonia,
He soon achieved a pact between Peru and Patagonia,
He never vexed the Russians nor offended the Rumanians,
He pacified the Letts and yet appeased the Lithuanians,
Won approval from his masters down in Downing Street so wholly, O,
He was soon to be rewarded with the grant of a Portfolio.
When on the Anniversary of Greek Emancipation,
Alas! He laid an egg in the Bulgarian Legation.
This untoward occurrence caused unheard-of repercussions,
Giving rise to epidemics of sword-clanking in the Prussians.
The Poles began to threaten, and the Finns began to flap at him,
Directing all the blame for this unfortunate mishap at him;
While the Swedes withdrew entirely from the Anglo-Saxon dailies
The right of photographing the Aurora Borealis,
And, all efforts at rapprochement in the meantime proving barren,
The Japanese in self-defence annexed the Isle of Arran.
My platypus, once thought to be more cautious and more tentative
Than any other living diplomatic representative,
Was now a sort of warning to all diplomatic students
Of the risks attached to negligence, the perils of imprudence,
And, branded in the Honours List as 'Platypus, Dame Vera',
Retired, a lonely figure, to lay eggs in Bordighera.
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If I could write words by Spike Milligan
If I could write words
Like leaves on an autumn forest floor,
What a bonfire my letters would make.
If I could speak words of water,
You would drown when I said
'I love you.'
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Two Children by Spike Milligan
Two children (small), one Four, one Five,
Once saw a bee go in a hive,
They'd never seen a bee before!
So waited there to see some more.
And sure enough along they came
A dozen bees (and all the same!)
Within the hive they buzzed about;
Then, one by one, they all flew out.
Said Four: 'Those bees are silly things,
But how I wish I had their wings!'
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Gus: The Theatre Cat by T S Eliot
Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That's such a fuss
To pronounce, that we usually call him just Gus.
His coat's very shabby, he's thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats--
But no longer a terror to mice and to rats.
For he isn't the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree--
He has acted with Irving, he's acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.
'I have played,' so he says, 'every possible part,
And I used to know seventy speeches by heart.
I'd extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail;
With an hour of rehearsal, I never could fail.
I'd a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied Dick Whittington's Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell.'
Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger--could do it again--
Which an Indian Colonel purused down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says: 'Now then kittens, they do not get trained
As we did in the days when Victoria reigned.
They never get drilled in a regular troupe,
And they think they are smart, just to jump through a hoop.'
And he'll say, as he scratches himself with his claws,
'Well, the Theatre's certainly not what it was.
These modern productions are all very well,
But there's nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell.'